Child catcher song lyrics. Chitty Chitty Bang Bang (musical) 2022-11-15
Child catcher song lyrics
Rating:
9,7/10
398
reviews
The song "Child Catcher" is a dark and unsettling track that paints a vivid and disturbing picture of a malevolent figure who preys on young children. The lyrics, written by the band Chitty Chitty Bang Bang, are based on the character of the same name from the 1968 film of the same name. The Child Catcher is depicted as a sinister and twisted individual who captures and imprisons innocent children in order to sell them to the highest bidder.
The song begins with a simple and ominous melody played on a keyboard, setting the stage for the horror to come. The lyrics describe the Child Catcher as a "hunting" and "trapping" predator, stalking the streets and alleys in search of his next victim. His motives are never explicitly stated, but the implication is that he is motivated by greed and a desire to exploit the innocence and vulnerability of children.
As the song progresses, the Child Catcher's malevolence becomes more apparent. He is described as "the wickedest man" and a "demolition man," suggesting a willingness to destroy anything or anyone that stands in his way. The imagery in the lyrics becomes increasingly disturbing as the Child Catcher is described as "digging" through the "rubbish" in search of children to capture.
Despite the Child Catcher's malevolence, the song also contains a glimmer of hope. The lyrics suggest that there is still a chance to escape his grasp, with the refrain "run away, run away" being repeated throughout the song. This suggests that, while the Child Catcher may be a formidable foe, he can still be defeated if one has the courage and determination to do so.
Overall, "Child Catcher" is a disturbing and unsettling song that paints a vivid and disturbing portrait of a malevolent figure who preys on young children. The lyrics are filled with imagery that is both sinister and deeply unsettling, and the song's simple yet ominous melody only serves to heighten the sense of horror and unease. Despite this, the song also contains a glimmer of hope, suggesting that even the most malevolent of predators can be overcome with courage and determination.
Patrick Wolf
And so, as all leading men must, Caractacus comes up with a plan to save the day and free the children by taking down Baron and Baroness Bomburst. Was their argument that a Jewish figure with power over arguably German subjects could provide catharsis? Thus, a meet-nasty with Caractacus when she brings his kids home and insults his parenting skills. The Potts and Truly escape back to reality, where Jeremy and Jemima ask if Caractacus and Truly will be getting married. Are most of the adults really terrible people? Poor old Grandpa hangs out in the background playing with tin soldiers. This story is pretty straightforward—at its bones: poor man meets rich woman; they fall in love—until the fictional country of Vulgaria comes on the scene. Goodbye Momma, goodbye to you too Pa Little sister, you'll have to wait a while to come along Goodybye to this house and all it's memories We just got too old to say we're wrong Got to make one last trip to my bedroom Guess I'll have to leave some stuff behind It's funny how the same old crooked pictures Just don't seem the same to me tonight There ain't no use in shedding lonely tears Mamma There ain't no use in shouting at me Pa I can't live no longer with your fears Mamma I love you but that hasn't helped at all Each of us must do the things that matter All of us must see what we can see It was long ago, you must remember You were once as young and scared as me I don't know how hard it is yet Mamma When you realize you're growing old I know how hard is not to be younger I know you've tried to keep me from the cold Thanks for all you done, it may sound hollow Thank you for the good times that we've known But I must find my own road, now to follow You will all be welcome in my home Got my suitcase, I must go now I don't mind about the things you said I'm sorry Mom, I don't know where I'm going Remember little sister ,look ahead Tomorrow I'll be in some other sunrise Maybe I'll have someone at my side Mamma, give your love back to your husband Father, you've have taught me well, goodbye Goodbye Mamma, goodbye to you too Pa. Like cockroaches, they get under the floors, in the cracks in the walls, in the woodwork.
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Patrick Wolf
Do the kids win in the end? Or, suspending my disbelief, could it be commentary on how a strictly policed society taken to the absurd in this instance is a society doomed to fail, and using German and Jewish caricatures was sure to resonate with audiences? Well the ropes are taut And the stories have all been caught There's a frost-cover drawn on the shore And the catcher still seems to want more Through the reel and through the unreal It's not what you see but what you feel And what transpires here And what I hear transpires And it falls, falls, falls And it falls, falls, falls It rises up, it rises up And it falls, falls, falls I just want to break even I just want to pass on through Like a ghost through a household tune Under light of the early dusk hues Navigating and dealing extremes Is not what at first it seems; But I keep my ship tight and true For the next time that I will see you And it falls, falls, falls And it falls, falls, falls It rises up, it rises up And it falls, falls, falls. Vulgaria and all its occupants were his creation. Rewatching this, though, made me very aware of a subplot that really should have been reworked. Caricature German accents, lederhosen, and references to sauerkraut. But first, we see Baron Bomburst in his castle and holy crap are things weird.
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Tom Rush
In fact, none of the adults in the castle are really exhibiting adult behavior. Rewatching this scene is uncomfortable and undeniably echoes the Holocaust. Is there something vaguely anti-Semitic? The whimsy, the music, the derring-do of Caractacus to save his family. Gag me with a spoon. Caractacus really , a failed inventor with an American accent, is played by Dick Van Dyke. I remember loving this movie.
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Elephanz
If they had good intentions—which again, I seriously doubt—perpetuating negative stereotypes in service of a villainous role pretty much overshadowed them. Some basics: This movie is loosely based—with practically no plot points overlapping—on an Ian Fleming novel. But this is acceptably bizarre—an agreeable amount of absurdity. For a modern remake, I vote Tom Hiddleston, or, if Americans are in the running, Doug Jones. Sort of, in that the adults do most of the planning, but still: Check. The Child Catcher makes another appearance, before being surrounded and subdued by said children. Chitty Chitty Bang Bang was all that and more, when I had expected just some light-hearted fun.
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Chitty Chitty Bang Bang (musical)
Ah, Chitty Chitty Bang Bang, our fine four-fendered friend. And then we arrive in Vulgaria and things get exciting while also taking a turn for the worse which is shame, because honestly up until here the movie is pretty dull. This was after Mary Poppins, in which his English accent was not so great and he said, Never again. Not particularly subtle, and it gets worse. I suppose this rousing scene, this call to action, could serve as a sort of balm to weird vibes, but by this point I was just incredibly disappointed. So, naturally, when the Child Catcher comes back and promises tasty treats for free, the children are unable to resist.
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Lush
The Baron has his birthday party, which the children ruin. Yeah, Baron, I feel ya. The rest of the movie carries on, treading lightly and wrapping up loose ends, but it all feels rather tarnished now. Meanwhile, Caractacus and the Toymaker go to scope out the castle to try and rescue Grandpa and Truly goes to look for food, leaving the children alone. The Child Catcher arrives on the scene and an ugly picture starts to come into focus.
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Child Catcher
That is a badass horse, but come on. Jessika disapproves of nametags, a certain Dido song, period piece films except for Belle; that can stay , British literature, and many other things that probably bring you joy. . Dahl sets children up as the undesirable race and then cobbles together Jewish stereotypes to hunt them out. Are there kids in weird circumstances? With Balloon Land, I knew what to expect: something bizarre, absurd, and ever so faintly horrifying.
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Great Lake Swimmers
Some dull plot happens and Caractacus eventually gets the money to buy the junk heap of a racecar for his kids, fixes it up, and names it Chitty Chitty Bang Bang. . . . .
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