Culture commodification. What is commodity culture? 2022-11-16
Culture commodification refers to the process of turning cultural elements, such as art, music, and traditions, into commodities that can be bought and sold in the market. This process can have both positive and negative consequences, depending on how it is carried out and the motivations behind it.
On the positive side, culture commodification can help to preserve and promote cultural traditions and practices. For example, the sale of traditional crafts or artwork can provide a source of income for individuals and communities who may not have other economic opportunities. It can also raise awareness and appreciation for different cultures among people who may not have otherwise been exposed to them.
However, culture commodification can also have negative consequences, particularly when it is driven by profit rather than a genuine desire to preserve and promote cultural traditions. In these cases, cultural elements may be appropriated or appropriated in a way that does not accurately represent the culture from which they come. This can lead to the commodification of cultural elements being seen as exploitation or cultural appropriation, rather than as a means of cultural exchange and appreciation.
Additionally, the commodification of culture can also lead to the homogenization of cultural traditions and practices, as they are adapted to fit market demands rather than being preserved in their traditional form. This can lead to the loss of cultural diversity and authenticity, as well as the erosion of cultural identities.
Overall, while culture commodification can be a positive force in preserving and promoting cultural traditions, it is important to ensure that it is carried out in a respectful and responsible manner, and that the motivations behind it are genuine and not solely profit-driven. By considering these factors, we can ensure that the commodification of culture is a positive force that promotes cultural exchange and appreciation, rather than exploitation or cultural appropriation.
The commodification of Culture
However, it is the consumers who have to accept that object or identity for the process to be successful. Many other people stick to the belief that punk is supposed to be resistant to mainstream society, and by commodifying punk bands, they no longer fully represent their original resistance Clark 2003. Material culture refers to the physical objects, resources, and spaces that people use to define their culture. Hot Topic sells a variety of accessories and clothing which often cater to the punk style. Culture is the set of shared attitudes, values, goals and practices that characterizes a particular group of people. A lot of this domination has recently been made through the technological revolution.
Implications of cultural commodification on the authenticity of iKalanga music: a case of Domboshaba traditional music festival in Botswana
A product essentially becomes a commodity when customers perceive little or no value difference between brands or versions. Yet how do cultures of consumption discover space, and how do they construct place? Commodification is often criticised on the grounds that some things ought not to be treated as commodities—for example water, education, data, information, knowledge, human life, and animal life. Marketing teams, brands, and an influx of commercial sponsors curate the experience. This was reported by The Economistwith an article entitled How the Conservatives won the social media campaign. Postmodernism: Or, The Cultural Logic of Late Capitalism London: Verso, 1991 , p. Punk is not a subculture where an outsider may find it difficult to identify someone involved — rather, punk style aspires to stand out, often succeeding with their attire of unique hairdos, makeup, and dark clothing.
Music Festivals What is the subculture? Like anything that gains traction on social media, spiritualism has become ripe for commodification. Intellectual Property has become a rich topic of interdisciplinary inquiry in the past 15 years, attracting the interest of anthropologists, communications and cultural studies scholars, economists, geographers, historians, traditional legal scholars, political scientists, sociologists, and philosophers. What is an example of commodification of culture? Still, in presumption and inevitably, some of the crafts-workshops would have to be removed from the site. Portrait of Robert Williamson in San Francisco Calif. Lukács, Gyorgy, History and Class Consciousness: Studies in Marxist Dialectics, trans. Yet how do cultures of consumption discover space, and how do they construct place? Is cultural commodification good or bad? What is a positive aspect of commodification of a culture? In an effort to be accepted by the Imperial Core, we lean into the more tangible aspects of our culture, which can be easier than learning our history or native language.
The Commodification of Culture
Aspects of black culture are gobbled up by mainstream society without them being entangled in the complex and dynamic paradigms reflected in those things. Styles crafted from punk style such as suspenders, hair accessories, and large belts make up a large sector of their clothing section. Cabral also works as an administrative assistant at Indigenous Circle of Wellness , a Native American therapy center in Commerce, California. The term now can colloquially refer to someone who appropriates queer style, language, or culture to hint at these homosexual undertones but is not actually gay. This theme covers complex topics such as the use of Indigenous heritage expressions in the entertainment, clothing, and giftware industries; the role that government and legislation has in regulating cultural appropriation and commodification; the processes by which disempowered communities can counter appropriations; and the impact of treating cultural artifacts and human remains as commodities, whether in medical science or museums. Punk and Hot Topic What is the subculture? This effects economic purchasing power.
Commodification of black culture lessens its meaning
To take music as an example, as Jacques Attali does, we can observe the development of capitalism including the processes of reification and commodification through the way it manifests in popular culture: Fetishized as a commodity, music is illustrative of the evolution of our entire society: deritualize a social form, repress an activity of the body, specialize its practice, sell it as a spectacle, generalize its consumption, then see to it that it is stockpiled until it loses its meaning. It is usually said that today everywhere culture is being economized under diverse strategies and with diverse outcomes. But this project is always expressed through local systems of governance and culture. Space and place are made and remade through consumption. Additionally, on the more macro level of media, this pandering the queer community earns actual capital. One way to summarize the difference is that commoditization is about proprietary things becoming generic, whereas commodification is about nonsaleable things becoming saleable.
The Positive and Negative Impacts of Cultural Commodification
What is equally intriguing is the background of the processes of regeneration and ecologysation of the Danube shore is putting another nontransparent layer over the case. In a counterculture, and specifically the hipster counterculture, being different and unique is the buy-in. A music festival attendee has physical engagement with brands: sampling products, signing up for email lists, taking branded photos and putting them on social media. When hip-hop style is being used to sell movies, breath mints, sodas, make-up, fast food, alcohol, clothing, shoes and various other products, one knows that this is a valid concern Blair, 1993. An identity based on power never has to develop a sense of itself as responsible. Hipsterism is knowingly consumerist; it acknowledges what is popular and what sells, and utilizes that information to build out a palatable but unique style, resistant to mainstream fashion norms.
Commodifications of Cultural Heritage
While people of color are more likely to be associated with practices such as voodoo, particularly in the United States, they exist in every circle of spiritualism. Aesthetic sensations and feelings are also ruthlessly cognized: for it is only insofar as they are known and objectively described, or transformed into data, that they can be exploited as forms of labor, and marketed as fresh experiences and exciting lifestyle choices. It examines the effect of capitalism on labor, productivity, and economic development and argues for a worker revolution to overturn capitalism in favor of communism. If you don't see color, you don't see me, which is a fundamental part of who I am. Tangible cultural heritage may also be commodified, such as in the case of artworks intended to be sold commercially.
(PDF) Commodification and Commodification culture
As an example, the paper discusses how the romanticized image of the virile Maasai warrior, dressed in colourful red blankets and beaded jewellery, has led to a true Maasai-mania that is profoundly affecting the daily life and culture of Maasai and other ethnic groups. Norms are informal, unwritten rules that govern social behaviors. Ironically, the commercial interest in Hip Hop has led to targeting expensive products to those who cannot afford them, and the quest for the products has been associated with illegal behavior. Reification, or, the Anxiety of Late Capitalism London: Verso, 2002 , p. These interests have become objectified in its ideology and have even made themselves independent of the compulsion to sell the cultural commodities which must be swallowed anyway…Brought to bear is a general uncritical consensus, advertisements produced for the world, so that each product of the culture industry becomes its own advertisement.