Frantisek kupka art. Kupka, František. Museo Nacional Thyssen 2022-11-16

František Kupka

The white background gives it a light and airy appearance and this is furthered by the use of dots to fill planes instead of bands of pure color. Gouache - Musée National d'Art Moderne, Paris Childhood František Kupka, also known as Frank Kupka or François Kupka, was born in Eastern Bohemia in 1871, the oldest of five children of the notary Vaclav Kupka and his wife Josefa. The circles reference the widespread and historical practice of utilizing halos to denote religious figures. Kupka gave the most beautifuland the most perfect of these the title 'Cathedral'. Up close the blue was dominant. The search for a new artistic language that could transmit intensity and musicality through colours and shapes made Kupka a true innovator within abstraction.

Frantisek Kupka Oil Paintings

Here he shows the consecutive phases of motion of a women rising from a chair and leaning forward to pick a flower as a series of silhouettes. This work is also known by the title Study for Fugue in Two Colors - the reference to a fugue a musical compositional technique adds a further element of meaning to the piece. The painting also demonstrates a debt to the vibrant colors and techniques of Fauvism, particularly the work of Henri Matisse. Guggenheim Museum, New York, New York 1909-10 Woman picking flower During the same years Kupka was working on Planes by Colors, Large Nude he also completed a number of pastel studies experimenting with the representation of movement. Fugue à deux couleurs, at the Creation in the Plastic Arts, a book Kupka completed in 1913, was published in Fugue in Two Colors is exhibited on the left. Verticals gave him stability, but he also needed to express tension, which was accomplished with diagonals. Kupka utilized ideas from numerous sources in his art and had a long-standing interest in mystical and spiritual concepts.

František Kupka Paintings, Bio, Ideas

This gives a sense of the dematerialization of solid forms, the hidden being revealed beneath the purely visual. Due to his reluctance to be associated with any individual movement, however, his significant contribution to abstract painting is not as recognized as that of Kandinsky, Malevitch, or Mondrian. Paris, 1923; edited and translated E. Kupka was interested in cosmology and astronomy and it is possible that the two spheres in the foreground represent planets, the concentric circles indicating their paths of orbit and their own rotation. Although his work was exhibited on a few occasions, Kupka spent almost his entire life in dire financial straits.

Kupka, František. Museo Nacional Thyssen

He also read heavily, devouring everything from anatomy to philosophy and chemistry to witchcraft and his interest in Eastern philosophy, Theosophy and occult practices dates from this period. Paris, 1923; edited and translated E. Here, they are employed to delineate sacred space, highlighting both the womb and the fetus as holy. . They are reflective of a wider move from sinuous shapes to streamlined and geometric forms as embodied by the increasing popularity of Art Deco. Oil on canvas - Centre Pompidou, Musée National d'Art Moderne, Paris 1920-30 Around a point Kupka started to produce studies for this work as early as 1911, finally producing this large oil in the years 1925-30, although he may have reworked elements of it as late as 1934. After the war, many artists returned to figurative painting, Kupka was no exception and he reintegrated human figures into some of his work.

The sounding abstract art of František Kupka

He had some success as an artist in the city and was commissioned to paint a handful of portraits for members of the court. In creating these, the artist aimed to purify his forms, producing radically simplified, austere images that focused on the importance of shape and line above everything else. The painting is more than an imitation of other styles, however, it is a work of experimentation and shows Kupka refining his own language of color and representation. Kupka went through many phases during his career: Symbolism, Fauvism, Orphism but did not particularly subscribe to any groups moving among them and experimenting with various techniques and forms until arriving in pure abstraction. In the French capital he found an environment that was more conducive to the development of his painting and was exposed to the influence of Neo-Impressionism, Symbolism and Modernism. This emphasizes the importance of birth and growth and the role played by women within this.

Painting the universe : František Kupka, pioneer in abstraction / Dorothy Kosinski, editor, with contributions by Jaroslav Anděl ... et al.

By breaking painting down into its constituent parts the artist does not allow the viewer to relate the shapes to their visual understanding of the world, instead they must interpret the inner meaning of them, revealing a hidden reality which will differ for each viewer as they bring their own experiences to bear on the painting. Chronophotography was developed by Etienne-Jules Marey and Eadweard Muybridge and allowed successive phases of motion to be captured in multiple photographs which were often layered into a single image. The lotus flower is an important symbol of creation, femininity, and sexual union and is depicted here as the origin of life itself. He died in Puteaux in the same house where he had lived since 1906. The Czech government as well as the Museum of Modern Art in New York purchased several of his pieces and in 1946 the Galerie S. He settled in Paris in 1896, earning his living as an illustrator for a time. .

The Cathedral

He also began to experiment with different styles of painting incorporating elements of the Fauvist, Symbolist and Post-Impressionist work that he saw in the capital. In Puteaux, his neighbor was In 1912, Kupka presented his painting Amorpha, Fugue in Two Colors at the Salon d'Automne, this monumental composition was one of the first abstract paintings shown in Paris and was very different from popular art of the period, the public, on the whole, reacted negatively to it. After solving problems revolving around vertical planes, the development of Kupka's painting consistently turnedtowards space. The blue gets lost on the way…' M. For financial reasons, he left school and started work at the age of 13 for a saddle maker.

During this time he cemented his interests in philosophy, history and painting. In these years, poor health forced Kukpa to spend a lot of time on the French Riviera. He also investigated concepts relating to creation and the wider universe in his art. His wife attempted to accompany the unit on their march to Picardy but after the first day she was arrested by the officer in charge and returned to Paris, she later travelled to the Front to see him. The shapes are thoughtfully arranged within the space on the canvas and each image differs significantly from the others. He also utilized music to directly inspire his work, visualizing the rhythms and tones that he heard.

Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art. In the same year, he exhibited alongside his friends at the Salon of the Section d'Or and in 1913, he was included in the Cubist room at the Salon des Independants. This was not the first time that Kupka had imbued the Lotus with these qualities and similar imagery can be seen in his earlier painting The Soul of the Lotus 1898. The physicist was the first to discover that light from the sun was composed of the seven colors of the spectrum: red, orange, yellow, green, blue, indigo, and violet. Oil on canvas - Centre Pompidou, Musée National d'Art Moderne, Paris 1928-32 Abstractions This is one of a series of 16 Abstractions painted by Kupka in the late 1920s and early 1930s. A series of studies for the final painting display a decreasingly figurative approach to the subject and an investigation into different color palettes and arrangements. Choose best material for all oil paintings, Attractive image and vivid color, assured quality.

The blue silhouette contains the most concentrated depth of color, this acts as a central pivot around which the composition rotates designating the mid-point of the sequence of movement. Here the young artist took classes in sacred and historic painting under the tutelage of František Sequens. He drew on both scientific research and spiritual beliefs to study the emotional and psychological effects they could have on the viewer, believing that properly composed color had the ability to allow people to enter a transcendental state. Modern Art: A Critical Introduction. In the church ofSaint Germain-L'Auxerrois, on three windows behind the main altar there are meandering borders of blue and red offairly equal area.