Sorry wrong number play. Sorry, Wrong Number Summary 2022-11-15

Sorry wrong number play Rating: 4,6/10 1799 reviews

"Sorry, Wrong Number" is a play written by Lucille Fletcher and first produced on radio in 1943. The play tells the story of a bedridden woman named Leona Stevenson who overhears a conversation on a crossed telephone line that leads her to believe that a murder is about to take place.

The play is a one-act, one-woman show, with Leona being the only character on stage for the entire duration of the play. This format allows for a strong focus on Leona's internal thoughts and feelings as she tries to piece together the mystery of the overheard conversation. The play is suspenseful and tension-filled, as Leona becomes increasingly panicked and desperate to find out the truth and prevent a murder from occurring.

One of the most interesting aspects of the play is its use of the telephone as a central device. The play is set entirely in Leona's bedroom, and the phone is her only connection to the outside world. This serves to heighten the sense of isolation and vulnerability that Leona feels as she tries to solve the mystery. The crossed telephone line also adds to the confusion and uncertainty of the situation, as Leona is unable to determine who is on the other end of the line or where the conversation is taking place.

The play also explores themes of identity and perception. Leona is a complex character who is revealed to have a troubled past and a strained relationship with her husband, Henry. As she tries to unravel the mystery, Leona is forced to confront her own demons and the secrets that she has kept hidden from the world. This adds an extra layer of depth to the play, as we see Leona struggling with her own identity and trying to come to terms with the person that she has become.

Overall, "Sorry, Wrong Number" is a gripping and suspenseful play that delves into themes of identity, perception, and isolation. Its clever use of the telephone and one-woman format make it a unique and memorable piece of theater.

Sorry, Wrong Number (1948)

sorry wrong number play

Sorry, Wrong Number is a thriller which makes extensive use of dramatic irony, both as a radio play and in the 1948 film. Originally a radio play, this story provides a mental picture for the reader and still giving the allusion of fear and surprise. Their name, rank, and gender are not provided. Stevenson experiences are fundamental characteristics of a horror story. All at once, it dawns on her that the murder she heard plotted out was her own.

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Sorry, Wrong Number Characters

sorry wrong number play

Encyclopedia of Television Shows, 1925 through 2010 2nded. Fletcher creates a character whose personality repulses the audience, but she also draws some sympathy because of her helplessness. She quickly realizes the error, but soon realizes that she can hear their conversation, but they can't hear her. As it is eventually realized, her paranoid fantasy is really true. She asks that they send a radio car. Stevenson speaks sharply to the apparently unsympathetic operator, blaming them for misdialing her original call. Stevenson becomes certain that she's the target of the murder; after all, she lives near a train that crosses a bridge, and when she hears that her husband has left town on business, she knows that she will be at home alone at the designated time for the attack.

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Sorry, Wrong Number Summary & Study Guide

sorry wrong number play

By the end, her worst paranoid fantasies come true. As she muses that the neighborhood described sounds like her own, she also admits that she is nervous being alone. I'll begin with the version I'm most familiar with, the 1948 broadcast for the Suspense program, and then touch on variations. The citation above will include either 2 or 3 dates. Henry has a change of heart in the last scene, but he's too late. I would argue that isolation, and the crippling fear that can come with it, is the predominant theme of this play.

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Sorry, Wrong Number by Lucille Fletcher

sorry wrong number play

The prevalent themes include isolation and the importance of politeness. Greed is presented as a force which separates people and poisons relationships, since it is inherently selfish. Stevenson is an "invalid" who is bed-ridden due to an unspecified illness or condition. In the final minutes, she hears an intruder listening on the downstairs phone, and then she picks out footsteps coming up the stairs. Horrified by what she hears, Mrs. The main character, Mrs. Everyone else refuses to believe her, which adds to the audience's feelings of powerlessness.

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What kind of person is complianceportal.american.eduson in the drama "Sorry, Wrong Number" by Lucille Fletcher?

sorry wrong number play

The play can also be interpreted as a study in paranoia. While still on the line, she hears a click, indicating that someone is on the extension phone downstairs in the kitchen. Its main literary device is dramatic irony, in which the audience knows more about the protagonist's plight than she does. Sorry, Wrong Number is a play that shows the distortion of humor as well as the unaware accepts of homicide. The police can only say they will check into things. She pleads with the operator to help her stop the would-be killers. Stating that she is reporting a murder, she revises the claim to indicate that it is a forthcoming murder.

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Lucille Fletcher's Sorry, Wrong Number: Summary & Analysis

sorry wrong number play

In a flashback, Leona had gone some years without any cardiac episodes, before marrying Henry. Latest answer posted November 9, 2013, 4:49 pm UTC 1 educator answer The Operator s It is not clear if Mrs. The drama begins with Mrs. Her scream coincides with the train whistle. The servants are absent and she is alone in the apartment. That the audience realizes this before Leona is an example of dramatic irony, which is when the audience is privy to information that eludes the characters themselves. After the distressing phone call, Mrs.

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Sorry, Wrong Number Summary

sorry wrong number play

Stevenson believes the clues like the nearby train on a bridge and a woman left alone at night point to her, it is difficult for the listener to take this seriously. When a bedridden wife overhears a murder plot on her phone, she tries to piece the puzzle together and prevent the murder. Stanwyck also starred as the lead in another radio version in 1952. Cite this page as follows: "Sorry, Wrong Number - Characters" eNotes Publishing Ed. She calls asking for help and to have a nurse come spend the evening with her in the house.

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Sorry, Wrong Number

sorry wrong number play

Finally, they tell her that she needs something more official, so she reaches out to the police. In this way, Mrs. Alexander reveals that he gave Henry her prognosis ten days ago, something that Henry kept from her. Stevenson, a self-declared invalid. Along the way, she does a whole lot of name-calling. This story by Lucille Fletcher went on to be considered one of the greatest radio drama episodes.

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Sorry Wrong Number Play Free Essay Example

sorry wrong number play

As her husband, Elbert, is still at work, she is alone. Panicked, she rings the police department, but too late as the murderer, George, reaches her and kills her. The operator urges her to contact the police, which she does. Radio dramas, plays that were heard on the radio rather than seen, were the 1940s version of the modern TV show - a story that is either told in a half an hour or that continues with a new installment each week. None of the people she talks to will acknowledge that she is in any danger.

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Sorry, Wrong Number (TV Movie 1989)

sorry wrong number play

Whereas a stage play is a visual and auditory experience, a radio drama is strictly an auditory experience. This happens once more; then she redials the operator. The main character is Mrs. It was adapted to become a movie, and a later production of the radio drama won The Edgar Award for Best Radio Drama. However, as the operator attempts to connect her, there is an error, and Mrs.

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