The cherry orchard short summary. The Cherry Orchard: Full Book Summary 2022-11-16
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"The Cherry Orchard" is a play written by Russian playwright Anton Chekhov in 1904. It is a story about a Russian family, the Ranevsky family, who are struggling to keep their cherry orchard and estate from being sold at auction. The family is led by Madame Ranevsky, a wealthy and fashionable woman who is in denial about the financial troubles facing her family.
The play takes place in the summer and fall of a single year, as the Ranevsky family and their guests spend their days at the cherry orchard, enjoying the beauty of the natural surroundings and the leisurely pace of country life. However, the family's idyllic existence is threatened by the impending sale of the cherry orchard, which is set to take place in the fall.
As the sale approaches, the family is torn between trying to save the cherry orchard and accepting the inevitable loss of their beloved estate. Along the way, they are confronted with a number of personal and financial challenges, including the return of a former love interest, the arrival of a wealthy and boisterous merchant, and the reappearance of a prodigal son who has been away for many years.
Despite their best efforts, the Ranevsky family is unable to prevent the sale of the cherry orchard, and they are forced to leave their home and start anew. In the end, the play is a poignant tale of loss and change, as the Ranevsky family grapples with the end of an era and the uncertain future that lies ahead.
The Cherry Orchard, Anton Chekov
Ranevsky comments that the nursery was the room she used to sleep in as a little girl; beginning to cry, she confesses she still feels like a little girl. He also wrote a brief humoresque about alienated people who got out shaped by the reality. Pishtchik, though himself a member of the landed gentry, is so strapped for cash that he has found himself at the mercy of Ranevsky—or a miracle. Meanwhile, Trofimov and Lopahin disagree over the best kind of future for Russia: Lopahin, ever the entrepreneur, argues for a capitalist future whereas Trofimov is all in favour of all-out revolution. Talking badly about others, she says, does nobody any good.
The Cherry Orchard Act One [From the beginning of the Act until Anya leaves for bed] Summary & Analysis
Gayef apologizes again and promises to watch what he says from now on. Gayev plans to live in the town, working at a bank, Anya will go off to school, and Ranevksy will leave for Paris with Yasha, to rejoin her lover. Anya and Trophimof enter the room; Anya goes to Ranevsky and kneels at her feet. Lopahin Lopahin got rich by cultivating and selling the poppy. In the meanwhile, Varja got in a fight with Epihodovin and tries to chase him out of the salon, accidentally hitting Lopahin with the stick.
Trophimof has not left the party, and Ranevsky apologizes to him, inviting him to dance with her. Barbara throws her house keys to the ground and leaves. Lopahin tells to himself he is the owner of the orchard now, still amazed with the fact how the semi-educated man as himself managed to accomplish such a thing. Chekhov here gives us both Lopakhin and Ranevsky's important character traits, and establishes their relationship. Their mother couldn't bare the pain so she left without looking back. Everyone hurried in leaving one at the time, departing from each other.
Anja will get in touch with the cousin Jaroslava, and they will save the estate with acting from the three different sides. He entreats Anya to throw her house keys down the well, and Anya excitedly agrees that she should. Firs, meanwhile, has fallen ill, and has been sent to the hospital for treatment, according to Yasha. Ranevsky confides in Trophimof the details of her miserable relationship with her ex-lover, who writes to her nearly every day and is like a heavy but beautiful stone around her neck. The guests consist of several local bureaucratic officials such as the stationmaster and a post-office clerk. In the Second Act, we are introduced more closely to the young servants on the estate, Dunyasha, Yasha, and Yephikodov, who are involved in a love triangle: Yephikodov loves Dunyasha, Dunyasha loves Yasha, and Yasha is very much in love with himself. He informs her about them being late for catching the train so they will wait for another one to arrive.
She begs Trophimof to say something that will comfort her. The landlord Pishchik asks his two hundred and forty roubles as interest on a given loan. Lopahin enters their conversation asking again for their approval for giving the land for the building of the summer houses. Ephikhodof resignedly states that though each day some misfortune befalls him, he is used to such misery, and always smiles through it. Checkov had an extreme influence on the development of the modern literature. Barbara apologizes for sticking Anya with Charlotte, but reminds Anya that she could not have traveled so far alone at only seventeen. Ranevsky asks him what happened at the auction, but he refuses to answer, and heads upstairs to change.
A Summary and Analysis of Anton Chekhov’s The Cherry Orchard
Trofimov searches for his boots and declines Lopahin's offer of covering his travel expenses. Dunyasha confides in Lopakhin the fact that Ephikhodof has proposed to her—she is uncertain of what to do about it. When she finally finds some love in another man, he lost his health so she had to take care of him over a couple of years, as he left her as soon he restored his health. Therefore, DosMovies aka 2movies is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked sites. She leaves her home hardly, noticing the beauty and the wealth that was surrounding her entire life. She may be fleeing into her memories to avoid facing reality, a reality in which we already know she is in debt and has lost two loved ones. Barbara laments that her mother is terrible with money.
Lyubov Andreeva got impatient about asking when will Leonida return from the town with the news about how the auction of the estate went. Their ancestors were taking care of that garden, as they only live now at someone's else's expense, without any possessions left. This information paints Ranevsky in a more negative light; she is weak and unable to deal with or face reality. The Cherry Orchard : analysis The Cherry Orchard is about a country in crisis, undergoing a dramatic shift between an old, traditional way of life and a whole new system. Ephikhodof, too, is attempting to make himself seen, but is only met with more misfortune and embarrassment.
He pats his jacket pocket, but then becomes nervous—he cries out that he has lost his money, but then feels deeper in his jacket, and realizing it is there after all. Ranevsky fears that the orchard has been lost, that the aunt in Yaroslavl has apparently not given them enough money to buy it, and that Gayev's other sources have failed to come through. In this passage, Ranevsky attempts to sever herself from a part of her recent past, while her brother Gayef waxes poetic and at great length about an inanimate object which, like the cherry orchard, has only sentimental value now. Anya describes arriving in Paris to find her mother living on the fifth floor of a large house, entertaining a strange group of people. Trofinov was deeply offended while Lyubov Andreeva tried to apologize. She encourages Lopahin in proposing Varja who agrees with that idea.
Firs enters, babbling to himself. As she refuses to be the one to propose she remains disappointed and leaves for a job at the other manor, working in the sector of economics. Their conversation was interrupted by the arrival of Lyubov Andreeva and Anja. We learn that the cherry trees are in bloom even though it is frosty outside. Varya enters, carrying the keys to the estate. She encourages Lopahin in proposing Varja who agrees with that idea. But, on their way back to the ancestral estate, after so many years, the elegant lady sees the once-powerful family's fragrant cherry orchard in full bloom: a painful reminder of her dire economic state and the imminent foreclosure of the enviable property.
